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Claire Potter, Cast Metal Nut, video still, (2016)

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Cathy Haynes, The Alphabet & Calendar of Trees (detail), 2015. Self-adhesive backing plastic laid over office printer paper. Floated on paper card, hardboard and framed in Triplochiton scleroxylon treated to resemble 'antique oak'. Dimensions: 21 × 29.7 cm.

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Hannah Lees, LOCAL OBJECTS, Installation View, Ikeyazhang. Photo credits, Andrea Rossetti.

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Nancy Holt, Trail Markers (detail), 1969, 20 inkjet prints on archival rag paper. 55.9 x 55.9cm each.

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Nancy Holt Trail Markers, 1969 20 inkjet prints on archival rag paper, Printed from original 126 format transparencies; 55.9 × 55.9 cm

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Overlay, 2016 Installation view Image: Noah Da Costa

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Overlay, 2016 Installation view Image: Noah Da Costa

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Overlay, 2016 Installation view Image: Noah Da Costa

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Overlay, 2016 Installation view Image: Noah Da Costa

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Overlay, 2016 Installation view Image: Noah Da Costa

Closing Event: 'Overlay' | Book Launch and Performance

20th September, 18:30 - 20:00

White Rainbow Gallery

Join us for the closing of ‘Overlay’, an exhibition of new works by four young artists — and a historic work by a celebrated older artist — gathered in response to the 10th Tokyo Biennale, 1970.

Artists: Cathy Haynes, Nancy Holt, Hannah Lees, Zoë Paul, Claire Potter

White Rainbow is delighted to announce the launch of a new publication containing an extended conversation between the artists and the exhibition’s curator, Jeremy Millar, as well as reference and installation photographs.

In conjunction, Claire Potter will perform a newly written text developed for the event.

‘Like an idiot on a moor’, expands on the themes from Potter’s exhibited work ‘Cast Metal Nut’ and puts them in correspondence with Nancy Holt’s ‘Trail Markers’.

Performance from 7pm, with copies of the publication available for purchase.

RSVP not required.

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