White Rainbow at Photo London 2017

Posted on 9 May 2017


White Rainbow will take part in Photo London this year with works by Chu Enoki, Shigeo Anzaï, Ingeborg Lüscher and Felix Kiessling.

Booth D3

Photo London

Somerset House, London
18-21 May 2017 | Preview day 17 May



White Rainbow at SP Arte 2017

Posted on 3 April 2017


At SP-Arte 2017 Solo section White Rainbow presents a selection of photographs by Shigeo Anzaï documenting some of the crucial moments of Japanese conceptual and early-contemporary art in the 1970s.

At Japan House White Rainbow will also show a 1978 nail and string installation (pictured) by Kazuko Miyamoto, a preeminent feminist figure of Minimalism.


Solo section, booth SL14 and Japan House

Bienal Pavilion
Parque Ibirapuera, portão 3, São Paulo, Brazil

6–9 April 2017


Exhibition Announcement: Lightness

Posted on 26 January 2017


White Rainbow is pleased to announce Lightness, an upcoming group exhibition featuring Charles Harlan, Holly Hendry, Ittah Yoda, Felix Kiessling and Alexandra Navratil.

17 March 2017 – 22 April 2017


Exhibition Announcement: Yuko Mohri | Moré Moré [Leaky]

Posted on 11 January 2017


White Rainbow is pleased to announce the first UK solo show by Yuko Mohri (b.1980, Tokyo).

The focus of Mohri’s exhibition will be an installation of her project Moré Moré (Leaky), a long-term research project into the Tokyo metro. Mohri exhibited her first iteration of the project at the Nissan Art Award 2015, which she consequently won.

Moré Moré (Leaky) will run from 9th February until 11th of March 2017 with a preview on Wednesday 8th February from 6-8pm.


Chim↑Pom and Chu Enoki at Busan Biennale 2016

Posted on 18 November 2016

Chim↑Pom, , Folded-paper crane, Dimensions variable, 2016

White Rainbow is pleased to announce the participation of Chim↑Pom and Chu Enoki in the Busan Biennale 2016: Project 1 an/other avant grade china-japan-korma.

Busan Biennale is one of the largest celebrations of contemporary art in Korea and brings together more than 100 artists from 22 countries in the port city of Busan. The theme of the 2016 edition is “Hybridizing Earth, Discussing Multitude,” highlighting East Asian experimental art trends and their historical significance. The biennial explores major contemporary art movements in Korea, China and Japan, influenced by 20th century historical events such as the Cultural Revolution and Tiananmen Square incident in China, the atomic bombing of Hiroshima in Japan and the democracy uprising in Korea. The show is curated and presented by a curatorial team that consists of Korean, Chinese and Japanese curators.

Busan Museum of Art, South Korea

3 September – 30 November 2016


Yuko Mohri at Kochi-Muziris Biennale 2016

Posted on 18 November 2016

Photo: Sendai Mediatheque

Yuko Mohri will present a series of new site-specific installations as part of the Kochi-Muziris Biennale 2016

12/12/2016 – 29/03/2017



Youki Hirakawa participating in ‘Kaunas in Art’ 2016

Posted on 12 September 2016

Youki Hirakawa of White Rainbow’s  ‘Into a Horizon’ will be participating in ‘Kaunas in Art‘,  which will be returning for it’s 7th edition.

Youki Hirakawa A Root for a Room, 2014, Upside down glass filled with underground water

Part of festivals opening event:

Youki Hirakawa (Japan) / White Rainbow Gallery/ (London);

23 09 2016 / FRIDAY, 19:00, POST Gallery, (Laisvės al. 51a, 3rd floor, Kaunas)


For more information


White Rainbow at Artissima 2016

Posted on 12 July 2016
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White Rainbow at Artissima

4-6 November 2016

Oval Lingotto, Turin

White Rainbow is delighted to announce its participation in Artissima 2016, in the Main section of the fair. White Rainbow will present the work of Chim Pom, Chu Enoki and Shigeo Anzaï.


Shigeo Anzaï now on display at Tate Modern

Posted on 21 June 2016

White Rainbow is pleased to announce Tate Modern’s acquisition of 16 Shigeo Anzaī works.

Anzai’s photographs documenting the 1970 Tokyo Biennale are now on view as part of the permanent collection display, ‘A View from Tokyo: Between Man and Matter’, (Boiler House Level 4 West, Tate Modern, Bankside). 


Fitzrovia Lates | Ken Ikeda music performance

Posted on 31 March 2016


White Rainbow is pleased to announce a series of collaborative performances between Satoru Aoyama and Japanese musician Ken Ikeda to coincide with Satoru Aoyama | Division of Labour.
Ken Ikeda will perform a series of improvised musical pieces alongside a live video performance by Satoru Aoyama, featuring the artist’s embroidered maps, currently on display at the gallery.

Thursday 28th April 2016

Indicative performance times:
18:30 / 19:00 / 19:30
(Contains flashing imagery)

in conjunction with
Fitzrovia Lates

Ken Ikeda is a composer born in Tokyo (1964) – currently living in New York. He has exhibited sound art and visual installations around the world. He often collaborates with artists, such as the painter Tadanoori Yokoo and artists Mariko Mori and Hiroshi Sugimoto. He has also composed and recorded for the filmmaker David Lynch.

For information: info@white-rainbow.co.uk
For press information: whiterainbow@scott-andco.com

Image: Ken Ikeda, in Earshots by AndreJ, 2015

More information on the exhibition here.


Chu Enoki | Back to the Future | Artissima

Posted on 30 October 2015

Back to the Future | Grey 12
6 to 8 November 2015
Oval Lingotto, Turin, Italy

White Rainbow is pleased to take part in Artissima, 6 to 8 November 2015, with a solo presentation of Chu Enoki.
Chu Enoki (b. 1964) is one of the seminal figures in postwar Japanese art and is recognised as an inspirational figure by many contemporary Japanese artists such as Keiji Uematsu (b. 1947), Takashi Murakami (b. 1962), Koki Tanaka (b. 1975) and the collective Chim↑Pom (founded 2005). Since 2000, Enoki has been the subject of several museum retrospectives in Japan. Despite this, Enoki remains to this day largely unknown internationally.

In spring 2015, White Rainbow presented Chu Enoki: Enoki Chu, a solo exhibition of the artist, which focused on his sculptural work since the turn of the century. Consisting mainly of cast iron sculptures based on military apparatus such as canons, Colts and Kalashnikov guns, these works comment on the ambiguities of foreign policy in postwar Japan. At Artissima, White Rainbow also focuses on an earlier period in Enoki’s practice, when he mainly used his body as a tool to comment on developments in society. A range of works and documentation of landmark events are selected to highlight his conceptual engagements with the body and performance in the 1970s and 80s.





Chu Enoki | Back to the Future | Artissima

Posted on 24 July 2015

White Rainbow is pleased to announce that the gallery will present a body of works by Chu Enoki in the Back to the Future section of Artissima, November 2015. Back to the Future is a curated section that this year focuses on works of exceptional pertinence from the decade 1975 – 1985, with a focus on the documentation of ephemeral practices such as performance and happening. The curatorial selection committee consisted of Eva Fabbris, independent curator, Milan; João Fernandes, vice-director, Museo Nacional Centre de Arte Reina Sofia, Madrid; Elena Filipovic, director, Kunsthalle Basel, Basel and Beatrix Ruf, director, Stedelijk Museum, Amsterdam.

For more information about Back to the Future, visit Artissima.





Posted on 27 February 2015

White Rainbow is pleased to announce its participation in ART15 at Olympia in London, May 2015. The gallery will present a duo-presentation of Youki Hirakawa and Takahiro Ueda.

Please come and visit us in the London First section of ART15 from 21 to 23 May 2015.

Screen Shot 2015-02-27 at 16.28.23


Youki Hirakawa “unseen/unscene” at Kunstverein Wolfenbüttel

Posted on 22 January 2015


Kunstverein Wolfenbüttel e.V. (Reichsstrasse 1, 38300)

Opening hours: Tue-Fri 16:00-18:00 / Sat and Sun 11:00-13:00

From the 18th of January until the 22nd of February 2015 the Kunstverein Wolfenbüttel will present a solo exhibition by Youki Hirakawa.  Unseen/Unscene is the title the artist has chosen for this exhibition. Is the impossibility of seeing as perceiving  the incentive of acting, or the desire not to be staged? The works are ambivalent, and keep their mystery. A two-channel video-installation and a videofilm examine the phenomenon of perception in moving images.